Field note / branding / brand identity / print design
Designing Brand Identity for Food and Beverage Brands
The specific visual language of food and beverage branding and how to navigate it.
- Published
- May 28, 2022
- Length
- 3 min read / 523 words
- Topics
- branding, brand identity, print design
Food brands live or die by shelf presence and appetite appeal
Food and beverage branding has two non-negotiable requirements that most other brand categories don't share: it has to be visually appetizing, and it has to stand out on shelf against dozens of competitors in a high-distraction retail environment.
Everything else in the identity — the typography sophistication, the conceptual elegance, the brand story — is secondary to these two requirements. A brand identity that's conceptually interesting but makes the food look unappetizing, or that disappears on shelf against its neighbors, has failed.
Appetite appeal through color
Certain color families have documented appetite-stimulating properties. Warm reds and oranges stimulate hunger — they're the colors of ripe fruits, cooked meats, autumn produce. These colors dominate fast food branding for this reason.
For premium food brands, the palette often shifts away from the most stimulating colors toward earthier, more complex versions: burnt orange rather than fire-engine red, terracotta rather than tomato. The appetite appeal is maintained through warm temperature; the premium signal comes from reduced saturation and complexity.
Category and positioning signals
Food and beverage categories have strong visual language conventions that communicate category membership at a glance. Organic and natural: earthy colors, craft textures, hand-drawn elements. Premium artisan: restrained palette, quality paper stock, typographic sophistication. Better-for-you health brands: clean whites and light greens, clinical simplicity. Indulgent treats: rich darks, gold accents, texture.
Departing from these conventions is possible and sometimes strategically correct, but it needs to be done deliberately and with an understanding of what signal you're sacrificing and why.
The label as a complete design
For packaged food products, the label is the primary identity expression. The label design needs to solve multiple problems simultaneously: communicating brand identity, providing legally required product information, creating appetite appeal, and differentiating from adjacent products on shelf.
The hierarchy on a food label typically runs: brand name → product variety/flavor → key claim → product image (if used) → supporting claims → required regulatory information. Every element has a place and a purpose; labels that try to give equal prominence to all information solve none of these problems well.
Photography and food styling
When photography is used on food packaging, the styling and photography quality communicate brand quality as powerfully as any graphic element. Poorly lit, unappetizing food photography on premium-priced packaging creates an immediate credibility problem — the packaging promises quality the photography doesn't support.
For any project involving food photography, I have direct conversations with clients about photography and styling budgets. Cutting corners on food photography for a premium food brand is a false economy.
Sustainability and material authenticity
Contemporary food branding increasingly incorporates sustainable packaging materials — uncoated stocks, recycled materials, plant-based inks. These materials have their own visual character that affects how the design reads.
When designing for sustainable materials, I treat the material's visual character as a design asset, not a compromise. Uncoated kraft board has warmth and texture that communicates authenticity. These qualities reinforce craft and natural positioning rather than working against it.