Indexwriting
Writing indexNote / Sep 30, 2021

Field note / typography / branding / print design

Typography on Merchandise: What Works and What Doesn't

Brand typography behaves completely differently on apparel and objects than it does on paper or screen — and most brand guidelines don't address this.

Published
Sep 30, 2021
Length
2 min read / 417 words
Topics
typography, branding, print design

Merchandise as Brand Touchpoint

Branded merchandise — apparel, bags, water bottles, notebooks, hats — is a brand touchpoint that sits physically close to the people who use it and gets seen in contexts far outside the brand's controlled environment.

Typography on merchandise needs to work differently than typography on brand materials. The surface is three-dimensional, the viewing context is unpredictable, and the production constraints are significant.

The Garment Printing Constraints

Direct-to-garment and screen-printed type on apparel has minimum size requirements below which type becomes illegible or breaks down in production. Fine strokes disappear. Small counters close up. Thin letterforms bleed and thicken.

These constraints vary by printing method but as a general guideline, type below 8-10pt equivalent at final size is risky in most garment printing processes. Heavier weights perform better than light weights.

What Reads on Bodies

Typography on garments is read on a moving, three-dimensional surface. Horizontal lines that align perfectly on a flat surface shift as the garment moves and stretches. Long lines of type wrap around the body in ways that can distort readability.

I design merchandise typography to account for this. Shorter lines of display type perform better than long lines. Centered type wraps more gracefully than left-aligned type on curved surfaces.

Scale and Placement

The scale of type relative to the garment needs to feel intentional. Type that's too small for its placement looks timid and accidental. Type that fills its space boldly looks designed. The placement — chest, back, sleeve, collar — each has conventions and considerations.

I test type placements on actual garment templates, not just in flat design files.

Embroidery Considerations

Embroidered type on merchandise has more severe minimum size constraints than printing. Very small type embroidered at low resolution on fabric looks rough and illegible. The minimum viable embroidered type size is around 6-8mm cap height.

I create simplified type lockups specifically for embroidery applications — typically bolder weight, larger size, with any fine details removed.

Brand Extensions vs. Promotional Merchandise

There's a meaningful difference between brand extension merchandise (products that are part of the brand's core offering) and promotional merchandise (items given away at events or as promotional gifts). These warrant different quality standards and different design investment.

Brand extension merchandise should receive the same design rigor as any brand touchpoint. Promotional merchandise should at minimum follow the brand system correctly, even if the design work is simpler.